Is Måneskin the Final Rock Band Yet? In a recent interview, Larson, a personal acquaintance of mine, delved into a crucial aspect of his music review that might have slipped under the radar. His critique of the Italian rock band Måneskin’s album “RUSH!” shed light on his unique perspective, shaped by his profound connection with the music and his belief that true rock enthusiasts share a common need to emotionally connect with the music they adore. However, Larson found himself unable to fully immerse in the album due to what he perceived as an abundance of pop and commercial elements overshadowing the authenticity he craved.
Is Måneskin Truly the Ultimate Rock Band? Discover Their Bold Fusion of Rock and Pop!
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Rock’s Post-1990s Evolution
Larson’s viewpoint aligns with the prevailing rock consensus that emerged in the post-1990s era. The widely accepted belief among rock enthusiasts is that anything resembling a mass-market product lacks inherent quality. To them, rock music isn’t solely about the songs; it’s also about the bond between the band and society. Rock’s origins in Black music fostered a spirit of rebellion against society, fueling the counterculture movements of the 1960s. Yet, as mass-market rock gained economic dominance, punk rock emerged as a revitalizing force, leading to the “alternative” genre’s rise.
Måneskin’s Unique Perspective
Måneskin, however, stands apart from this post-1990s rock consensus. While undeniably producing rock music, their approach is rooted in pop logic. To gain insight into their perspective, I had the opportunity to have lunch with the band and their managers, Marica Casalinuovo and Fabrizio Ferraguzzo, during their Italian minitour in Milan.
A New Approach to Music Production
Casalinuovo, a former executive producer on “The X Factor,” and Ferraguzzo, its musical director, left the show after Måneskin’s breakthrough success to collaborate with rising stars from the show. Our meeting took place at Moysa, an innovative establishment combining a recording studio, soundstage, rehearsal space, offices, and party venue. Moysa, Ferraguzzo’s brainchild, operates on the principle of vertical integration, where a single corporate entity handles all aspects of music-making.
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Måneskin’s Polished Production
During our meeting, Ferraguzzo played an unreleased single by Måneskin titled “Honey (Are U Coming?)” produced at Moysa. The track showcased the band’s signature moves, synchronizing melodic phrases on the guitar and bass, and employing a post-Strokes-style rhythm with an unswung boogie feel. Notably, lead singer David adopted a higher vocal register than usual. The clean and polished production left an impression, as if seasoned industry professionals had meticulously crafted the track.
The Tension Between Rock Roots and Pop-Driven Circumstances
The involvement of numerous experienced professionals in Måneskin’s music production creates inherent tension between the band’s rock roots and the fundamentally pop-driven circumstances under which their songs are created. They remain a close-knit group of friends making music, but their operations are embedded within a colossal music machinery. Importantly, they view this intricate machine as a force for good.
In Conclusion
Larson’s review of “RUSH!” was undoubtedly shaped by his personal connection with the music and his longing for a deeper emotional resonance. It highlighted the ongoing divide within the realm of rock between those who cling to the genre’s rebellious ethos and those who embrace the fusion of rock and pop, transcending traditional boundaries. For Måneskin, this exploration of tension places them in a unique position, creating music rooted in rock convention while navigating the mainstream music industry. Their unwavering belief is that the music machine they find themselves in is a facilitator of their artistic vision.
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Expert Editorial Comment:
“As Måneskin pushes the boundaries of rock and pop fusion, they challenge the very essence of what rock music means in today’s music landscape. The debate continues: Are they the final rock band yet, or are they pioneers of a new era in rock?”